A series by Clyde Wilson

ALEXANDER BEAUFORT MEEK (1814-1865) of Alabama. Meek was one of the most prominent citizens of antebellum Alabama–judge, orator, international chess master, and historian of the early days of his State. He also published two volumes of verse. Selections are from The Songs and Poems of the South (1857).

COME TO THE SOUTH

Oh, come to the South, sweet, beautiful one,
‘Tis the clime of the heart, ‘tis the shrine of the sun;
Where the sky ever shines with a passionate glow,
And flowers spread their treasures of crimson and snow;
Where the breeze, o’er bright waters, wafts incense along,
And gay birds are glancing in beauty and song;
Where summer smiles ever o’er mountain and plain,
And the best gifts of Eden, unshadowed, remain.

Oh, come to the South,
The shrine of the sun;
And dwell in its bowers,
Sweet, beautiful one.

Oh, come to the South, and I’ll build thee a home,
Where winter shall never intrusively come,
The queen-like catalpa, the  myrtle  and  pine,
The gold-fruited orange, the ruby-gemmed vine,
Shall bloom ’round thy dwelling, and shade thee at noon,
While birds of all music keep amorous tune;

By the gush of glad fountains we’ll rest us at eve,
No trouble to vex us, no sorrows to grieve.
Oh, come to the South, &c.

Oh,  come to the  South, ‘tis the home the heart—
No sky like its own can deep passion impart;
The glow of its summer felt in the soul,
And love keepeth ever his fervent control.
Oh, here would thy beauty most brilliantly beam,
And life pass away like some delicate dream; Each wish of thy heart should realized be,
And this beautiful land seem an Eden to thee.

Then, come to the South,
The shrine of the sun;
And dwell in its bowers,
Sweet, beautiful one.

*

THE MOCKING-BIRD

From the vale, what music ringing,
Fills the bosom of the night,
On the sense, entranc’d, flinging
Spells of witchery and delight!
O’er magnolia, lime and cedar
From yon locust-top, it swells,
Like the chant of serenader,
Or the rhymes of silver bells!
Listen! dearest, listen to it!
Sweeter sounds were never heard!
‘Tis the song of that wild poet—
Mime and minstrel—mocking-bird.

See him, swinging in his glory,
On yon topmost bending limb!
Carolling his amorous story,
Like some wild crusader’s hymn!
Now it faints in tones delicious
As the first low vow of love!
Now it bursts in swells capricious,
All the moonlit vale above!
Listen!  dearest, listen to it!
Sweeter sounds were never heard!
‘Tis the song of that wild poet—
Mime and minstrel—mocking-bird.

Why is’t thus, this sylvan Petrarch
Pours all night his serenade?
‘Tis for some proud woodland Laura,
His sad sonnets all are made!
But he changes now his measure—
Gladness bubbling from his mouth—
Jest, and gibe, and mimic pleasure—
Winged Anacreon of the South!
Listen! dearest, listen to it!
Sweeter sounds were never heard!
‘Tis the song of that wild poet—
Mime and minstrel—mocking-bird.

Bird of music, wit and gladness,
Troubadour of sunny climes,
Disenchanter of all sadness,—
Would thine art were in my rhymes,
O’er the heart that’s beating by me,
I would weave a spell divine;
Is there aught she could deny me,
Drinking in such strains as thine?
Listen! dearest, listen to it!
Sweeter sounds were never heard
‘Tis the song of that wild poet—
Mime and minstrel—mocking-bird.

*

CHOCTAW MELODIES

1

A MOTHER’S DIRGE FOR HER INFANT.

In a small grove of dogwood trees,
Whose spring-time flowers perfumed the breeze,
By Pascagoula’s tawny wave,
There was a little new-made grave.
And there above the humble mound
A youthful mother oft was found,
Who thus, in sad and frantic strains,
Wept o’er her first-born babe’s remains:

“Now cradled in the damp cold ground,
My little warior lies;
Now he is bound with wampum round,
And shut his sparkling eyes:

Yet why, above his place of sleep—
Why should I weep?

“The little bird, when it is grown,
Must leave its native nest,
‘Mid snares and foes to soar alone,
By want and care distrest;
And oft the cruel hunter’s dart
Will pierce its heart.

“But thou, sweet one, hast shed no tears,
Nor felt the woes of life;
Thy spirit, undisturbed by fears,
By anguish and by strife,
To golden groves has soared above,
Bird of my love!

“Ah! hadst thou only staid below,
What grace and strength were thine,
To chase the dear, to bend the bow,
To draw the fisher’s line!
Or bravely in the battle-field
The club to wield!

“Yet why should I lament thy doom?
The bud, that in the Spring-time dies,
Bears all its bloom and sweet perfume
To spirits in the skies!
A heavenly blossom now thou art,
Bud of my heart!

“But oh thou wert too young to go,—
Thy little tender feet
No father’s guidance now can know,
No mother’s counsel meet.

Who now will nurse thy fragile form,
And keep thee warm?

“Ah! yes, I hear a spirit say
I will protect him here—
Who from their cradles pass away,
To us are ever dear.
Then why my babe above thy sleep—
Why should I weep?”

2

ATALA’S LAMENT
[From the French of Chateaubriand]

The Indian maiden turned at eve,
In exiled loneliness to grieve,
And shed, by Mississippi’s side,
Her tears upon its turbid tide;
For she had left in passion’s hours,
Her Florida’s beloved bowers,
And thus, amid the stranger throng,
Poured forth an exile’s plaintive song:

“Oh, happy they who ne’er have seen
The smoke of alien fires!
Nor guests at other feasts have been,
Than their own sires’!
Ah! should the blue-jay of the West
Say to the Southern nonpareil,
‘Why not  amid our branches rest?
Why only mourning numbers tell?
Have we not limpid waters here—
Delightful shades, abundant food,
And flowery fields, and orchards fair,
As you   have in your native wood?’
Yet would the stray bird answer then,
‘My nest is in the jasmine grove!
Oh, give my golden skies agen,
And  bright savannahs that I love!’
“Oh, happy they who ne’er have seen
The smoke of alien fires,
Nor guests at other feasts have been,
Than their own sires’!
When, after hours of toil and pain,
The weary traveler sinks at night,
And sees anear him, on the plain,
Fair cottages with many a light;
In vain he views their pleasant glow—
No hospitable fare they yield—
For, should he enter with his bow,
All welcome is at once concealed;
Again his sturdy bow he takes,
And, weak, insulted, turns away,
And totters on through tangled brakes,
And deserts wide till dawn of day.

“Oh, happy they who ne’er have seen
The smoke of alien fires,
Nor guests at other feasts have been,
Than their own sires’!
Dear stories round the social hearth!
Soft songs with tenderest feelings rife!

Pure deeds of love, and tones of mirth,
So needful in this weary life!—
Ye, ye have filled the days of those
Who ne’er their parent land have left,—
Who ne’er have been, ‘mid stranger foes,
Of all that’s best on earth bereft!
They live in bliss, and when life ends,
Their graves are in their mother’s breast;
By setting suns and tears of friends,
And fair religion sweetly blest!
Oh, happy they who ne’er have seen
The smoke of alien fires,
Nor guests at other feasts have been,
Than their own sires’!”


Clyde Wilson

Clyde Wilson is a distinguished Professor Emeritus of History at the University of South Carolina where he was the editor of the multivolume The Papers of John C. Calhoun. He is the M.E. Bradford Distinguished Chair at the Abbeville Institute. He is the author or editor of over thirty books and published over 600 articles, essays and reviews and is co-publisher of www.shotwellpublishing.com, a source  for unreconstructed Southern books.

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